The British jihadis in Syria might be driven by more than just religion

joanna_bourke_portrait

This article was written by Professor Joanna Bourke from Birkbeck’s Department of History, Classics and Archaeology. It was originally published on The Guardian’s ‘Comment is Free’.

Reyaad Khan and Nasser Muthana sound like typical British young men. They are educated, mad about sport, and were raised in a loving family in Cardiff. When, a few days ago, they were seen in an Isis film urging British Muslims to join insurgents in Syria and Iraq, the shock was palpable. How could this have happened? Are their actions symptomatic of religious fundamentalism? Or are they simply an extreme form of youthful angst? After all, one had told his mother before disappearing that he was going to a friend’s house to revise for a maths examination.

For some commentators, these young men represent a crisis unique to British Muslims and are a justification for a further extension of surveillance of Muslim communities. Religious radicalism in the UK and throughout the world is a serious problem, but blaming religion alone takes us only so far. The problem is much wider. It includes the glamorising of violence: a fascination with armed conflict permeates male sub-cultures, crossing religious, ethnic, and class boundaries, while remaining very rooted in masculinity.

At the most general level, there is a quaint assumption in Britain that we are a peaceable people, engaging in armed conflicts half-heartedly and only when threatened by aggressors. Our role as perpetrators of violence is often overlooked. There is still considerable reluctance to acknowledge the atrocities committed during the age of empire. There is a similar reluctance to admit the role British policies have played in creating the political and economic environment that has helped foster terrorism in the Middle East.

But the problem is more complex. The glamorising of violence and military culture has effects beyond any particular group. It is not unique to young Muslim men – or, indeed, young men in Cardiff – to be excited by the prospect of combat. War is often seen as a rite of passage for young men – finally able to prove themselves as adults, not only to their parents but also to their peers. In all armed conflicts, men are heard boasting about the exhilaration of fighting, often neglecting to acknowledge their fears of dying.

This attitude is bolstered by war films, one of the most popular genres. Indeed, for many, war isn’t hell; it’s entertainment. Some of the most popular computer games are based on conflicts in the Middle East. They depict the thrills of battle taking place in “exotic” environments replete with scimitars, camels, caliphs, djinns, deserts, belly dancers, minarets, bazaars, and harems. Games such as Call of Duty and Medal of Honor typically cast “insurgents” as faceless, scruffy fighters, in contrast to the clean-shaven, uniformed “good guys” who are fond of cracking jokes and have a strong sense of loyalty to their comrades. Depictions of both “us” and “them” generate a sense of shared excitement and mission. War-play is seen as such an important recruiter for armed groups that Hezbollah has developed its own games, Special Force and Special Force 2, to provide an alternative fighting perspective.

The language used in public to discuss war has become extraordinarily distorted – and not only among radicalised communities. Combat is routinely described in the media as though it were a form of sport: combatants are “silent hunters” or “duellists”; they “score a try”. Making a kill is a “good shot placement”. Enemy combatants are described as having “received” a bullet. Last year, when the British army introduced a new combat sidearm, the Glock 17, which replaced the long-standing Browning Hi-Power pistol, the weapon was described without any sense of irony, as a “lifesaver”. The people that Glock 17s would maim and kill did not truly possess “lives”.

All this is not to discount the importance of cultural alienation and religion in the decisions of Khan and Muthana to join Isis. Clearly, faith and ideology are important. It is to point out, however, that they have been influenced by wider cultural forces that valorise militarism. These effects should be discussed alongside other contributing factors.

Is there any value in talking about British values?

This post was contributed by Dr William Ackah, Lecturer in Community and Voluntary Sector Studies in Birkbeck’s Department of Geography, Environment and Development Studies

The controversy over the allegations of ‘extremism’ in a number of Birmingham schools has led to a wider discussion on what constitutes ‘British values’. Michael Gove the Secretary of State for Education and David Cameron the Prime Minister have both responded to the situation in Birmingham by announcing that schools should teach ‘British values’. At a press conference in Sweden on 10 June, Cameron stated that these values should include “freedom, tolerance, respect for the law, belief in personal and social responsibility and respect for British institutions.” One of the questions I would like to explore here is whether an understanding of these ideas of Britishness would really resolve issues of social inclusion and equality in deprived communities or whether the appeal to ‘British values’ is a smokescreen that hides a multitude of equality and diversity issues not dealt with by British public institutions?

There is value in having a public debate about ‘British values’. Political theorists and others have long debated what values and mechanisms are required for arriving at the common good when you have a diversity of competing interests operating in society. Theologians speak of the ‘beloved community’ and explore what are the values, principles and ways of belonging that are required to create and sustain an ideal community. So it is legitimate to ask what type of communities we want to live in. What kinds of schools do we want our children to be educated in? The problem with the current debate is the context in which these questions are being framed.

The current debate is being framed by powerful white male politicians who in talking about ‘British values’ in relation to British Muslim minority communities, turn ‘British values’ into a racial marker or label of racial differentiation. The unspoken assumption being that certain behaviours are labelled as Muslim and that these are not compatible with being British. Hence it is not your passport or the taxes that you pay, but your ‘values’ and specifically ‘Muslim values’ that determine how British you are and the degree to which can legitimately participate in British public life.

It is striking that when other public and private institutions experience a crisis of governance they are not dealt with in this way. Recent crises have beset the newspaper industry, the Metropolitan Police, the National Health Service, the British Broadcasting Corporation, banks and last, but by no means least, MPs and Parliament. Weak governance, lack of due diligence, poor ethical standards, cultures of fear and intimidation can all have been said to have played some role in accounting for their institutional failings. These failings – not exclusively, but in the overwhelming majority of cases – have been perpetrated by members of white, mono-cultural, middle-class communities. They are failings that, in substantive terms, are similar to those attributed to the schools in Birmingham. Are these institutions deemed to be suffering from a lack of ‘British values’? No they are not, hence my contention that the current debate on ‘British values’ is not a genuine attempt to construct a political ethical framework for thinking about the common good, but rather it is a misguided attempt to re-racialise what it means to be British.

There is a need for a genuine discussion and debate to be had on values but the context needs to be reframed. Britain needs a discussion on whether its public institutions are genuine purveyors and defenders of equality and justice for all. Britain needs an honest and genuine reflection on whether its institutional and policy mechanisms are capable of delivering genuine justice and equality in a 21st-century, multicultural, multi-layered and multi-faceted society that incorporates Muslims rather than racialises them as an ‘other’ to be dealt with differently. The discussion needs to be reframed to talk about British institutions and the degree to which these institutions, to which we all contribute, genuinely reflect and represent the diversity of the country. Too many British institutions are woefully unrepresentative of the communities that they serve and too many members of minority communities bear the scars of discrimination, poor service delivery and injustice that they have received from these institutions. Where is the outcry over the lack of British values being put into practice on behalf of these citizens?  It is a long-standing scandal, where no one seems to be being held accountable for the startling lack of progress.  So yes, let us talk about ‘British values’, but more importantly let us see them concretised and realised for everyone and not used as a metaphorical stick with which to beat marginalized minority communities.

Why Remember Shoulder to Shoulder?

This post was written by Dr Janet McCabe, a lecturer in Birkbeck’s Department of Film, Media and Cultural Studies, and Vicky Ball, De Montfort University

Helena Bonham-Carter and Carey Mulligan recently marched through the corridors of Parliament agitating for female suffrage. It made the news. Not the protest. But because it was the first time that a commercial film had been shot inside the Palace of Westminster. In recreating what women did in that constitutional space to get the vote 100 years ago Suffragette, written by Abi Morgan and directed by Sarah Gavron, brings that historic campaign back into public consciousness. While the struggle for emancipation shaped the political landscape in Britain in the early 1900s and changed irrevocably the position of women in society, it is a story that hardly ever makes it on to our screens; and it has been 40 years since we saw the suffragette movement last dramatized for television.

2014 marks the fortieth anniversary of the BBC miniseries, Shoulder to Shoulder, which focused on the activities of the Women’s Social and Political Union, founded by Emmeline Pankhurst and her daughters Christabel and Sylvia (1898-1918). It consisted of six specially written plays and it came about through the collaboration of three women, the actress Georgia Brown, filmmaker and feminist Midge Mackenzie and TV producer Verity Lambert. A sense of the public service remit pervades the series as Shoulder to Shoulder dramatizes particular events of the early suffrage movement, albeit from a decidedly socialist perspective. Its importance as a landmark BBC drama documenting the history of feminism and the emergent public voice of women is unquestioned. That said, the series seldom gets repeated and has never been released on DVD. This neglect prompts us to ask: why is such a politically important drama about women’s history still buried deep in the BBC archive?

Shoulder to Shoulder first aired on Wednesday 3 April 1974 at 9pm on BBC 2. It seemed an inauspicious start. Competing as it did with the extensively praised documentary series, The World at War, on ITV, and the popular ‘fly-on-the-wall’ series, The Family, on BBC 1. A quirk of scheduling has perhaps contributed to the amnesia, with the suffragette drama squeezed out of our collective TV memories as we recollect instead the ambition of the multi-award winning World War II series (still on television screens somewhere) and one of the first ‘reality’ shows in the history of television, which documented the everyday life of the Wilkins, a working-class family from Reading. What defined these shows at this moment in British television culture when BBC and ITV dominated was a focus on stories rarely told: ordinary people caught up in history; or those who had scarcely been given representation or a public voice on television before.

It is well known that Emmeline Pankhurst was alive to the importance of capturing the media to help shape her political message; and some of the W.S.P.U.’s preoccupations—with the media, penal reform and direct action—chimed in with Britain in the early 1970s. The IRA bombing campaign (with the Price Sisters on hunger strike in Holloway prison—and forcibly fed), industrial strife and economic crisis meant that the series carried more than a whiff of controversy.

Shoulder to shoulderBut maybe it was its feminism that lay at the heart of why Shoulder to Shoulder has been forgotten then and why we should remember it now. At the cast and crew reunion held at Birkbeck last Thursday both Siân Phillips and Angela Down, who play Emmeline and Sylvia Pankhurst respectively, admitted to knowing little about these women before making the series. While Phillips was politically active and involved in the trade union movement, she had no formal education about the Suffragettes.

She wasn’t alone.

Midge Mackenzie spoke often of how the project grew out of her experience of filming the Golden Jubilee of Women’s Suffrage in 1968, when she discovered the story of how women won the right to vote had been ‘almost successfully erased from the history books. The women who fought for the vote had vanished from our history,’ she wrote. ‘Their writings were long since out of print and their newspapers buried in archives’ (Shoulder to Shoulder 1988; ix). In good documentary fashion Mackenzie filled her book, which one feels was a response to the betrayal she somehow felt at having men write the TV series, with women’s voices—original experiences as expressed in the words of those taking part, from diaries, letters, memoirs, speeches, as well as newspaper reports and the Suffragettes own publications, Votes for Women and The Suffragette.

The series, like the book, focused on the militant campaign; but these Suffragettes were by no means the only campaigners demanding enfranchisement. Shoulder to Shoulder (like all history) is a product of its time and, for example, it doesn’t address the contribution of other dedicated Suffragettes like Countess Markievicz, the first woman elected to Parliament, or Charlotte Despard, an Irish-based campaigner and Sinn Féin activist, for as Irish revolutionaries it probably was not the right time for reassessment as the troubles in northern Ireland still raged. And the non-violent, but constitutionally minded, Suffragists, led by Millicent Fawcett, barely got a look in either. But then committee work and letter writing is far less televisual than the drama of arson campaigns and bruising clashes with the police. What is rescued and recovered is not random, but the fragility of remembering the complexity of our history adds to ignorance and concealment.

But this is no excuse to forget Shoulder to Shoulder. Margaretta Jolly, Reader in Cultural Studies at the University of Sussex, offered a useful intervention at the symposium that followed the screening, when she spoke of using the Suffragettes to ‘measure new feminisms’ and of the importance of passing these stories onto the next generation, however difficult and contested. What the act of recovery from this entanglement of ‘official’ history and personal stories, public speeches and oral testimonies, teach us is that the fight for equality didn’t end with enfranchisement—despite what postfeminism would have us to believe.

Remembering Shoulder to Shoulder isn’t only about reclaiming our stories, but about who has the power to tell them. Even within the production of the series there was a feminist struggle (of sorts) between an ideal and a challenging of power from the margins—Mackenzie, and shattering the glass ceiling and able to change the script but from the inside—Lambert.

Remembering the earlier fight for emancipation happened in the early 1970s at a time when a new feminism was struggling over questions of inequality, images of woman as Other and the culturally awkward position of women within the public sphere and their right to speak. Forty years and we remain preoccupied with similar questions. Reconnecting voices and the experience of women and women’s history across time and space is crucial.

Shoulder to Shoulder thus reminds us why the struggle still matters.

Michael Gove should not kill the Mockingbird

This post was written by Dr Anna Hartnell, Lecturer in Contemporary Literature in Birkbeck’s Department of English and Humanities. It was originally published in the Guardian.

‘Neighbours bring food with death and flowers with sickness and little things in between. Boo was our neighbour. He gave us two soap dolls, a broken watch and chain, a pair of good-luck pennies, and our lives. But neighbours give in return. We never put back into the tree what we took out of it: we had given him nothing, and it made me sad.”

This poignant moment from the last few pages of Harper Lee’s 1960 novel, To Kill a Mockingbird, records the instant where a girl, about nine years old, finally recognises the humanity of her childhood bogeyman. This is a coming-of-age story, unusual for the fact that it charts the development of a female protagonist, Scout, and explores issues around racial violence, rape, and social marginality in the depression-era deep south of the United States. It has stirred up controversy across US school districts since it first entered the classroom in 1963.

Michael Gove’s decision to remove this book – along with a number of other American classics such as John Steinbeck’s Of Mice and Men and Arthur Miller’s The Crucible, which similarly explore political persecution, social exclusion and the oppression of the weak – from the English literature GCSE syllabus, is not just parochial and regressive, it also fails to recognise the dynamics that make up modern Britain. It fails to understand that a large part of the value of reading literature lies precisely in the kind of empathic leap Scout makes at the end of Lee’s novel, one that enables her to see herself through the eyes of an “other” and so more fully comprehend her own identity.

To Kill a Mockingbird is arguably itself limited by the vision of a white liberal, but it tends to strike a chord with young people because its voice is faltering and uncertain and wide open to just the kind of debate that makes teaching literature about ethics and politics as much as it is about language and form.

However, schoolchildren in the UK are now going to be given a “more traditional” syllabus made up of largely British texts penned prior to the 20th century. Such a syllabus harks back to the myth of a “pure” origin for English literature, uncontaminated by the unintended consequences of empire, and ignoring the multicultural, multilingual and multinational space that Britain is today. Gove and his colleagues at the Department for Education are fantasising about a nation unencumbered by racial or cultural difference, or calls for greater social and economic equality.

This fantasy recalls an earlier moment in British imperial history when the colonial government in India decided in 1835 that education, conducted up to that point in native languages, would henceforth happen in English only. This narrow linguistic agenda ironically contributed to the reality of “literatures in English” – those other English voices that bear witness to the fact that the nation’s literary tradition does not have an uncomplicated beginning in medieval England.

At a time when the right is on the rise across Europe, immigrants are under attack from right and left, and the UK’s criminal justice system increasingly resembles the disastrous US model – which has seen the mass incarceration of black people under what many characterize as a new system of racialized control – the DfE’s decision plays into a poisonous atmosphere. There are of course other literary texts that are equally relevant for GCSE students; they need not be Anglo-American or indeed all be post-1900. But pre-20th century English culture should not dominate the syllabus: Gove’s attempt to wind the clock back overlooks the myriad identities of the children now populating British schools.

As Scout opens her narrative she reveals that her family can trace its lineage back to Simon Finch, a man from Cornwall who was persecuted as a Methodist and duly left England for the New World. There he acquired slaves, thus substituting one form of oppression for another. This knotty and discomforting genealogy that binds Englishness to empire and slavery and their fractious legacies of racism and inequality seems to be too thought-provoking for Gove’s deeply conservative vision of English literature. Our children should not be prevented from discovering it.

The Fox in the Hen House? UKIP and the 2015 General Election

This post was written by Dr Ben Worthy, a lecturer in Birkbeck’s Department of Politics. It was originally published on the Department of Politics’ blog, 10 Gower Street.

This week’s European elections have produced fascinating and, in many countries, uncomfortable shifts in electoral support (though we shouldn’t forget Italy, where the centre-left has won and Greece and Spain, where the far left topped the polls). The results have already led to the Irish Deputy Prime Minister and leader of the opposition in Spain stepping down.

In the UK, attention has focused on UKIP, the minority anti-EU party that has ‘won’ the European Parliamentary elections, or at least got more votes than any other party, and done relatively well locally. The big question is whether UKIP will influence the 2015 General Election or fade away. Will UKIP be the (indirect) kingmaker or just a bad dream by this time next year? Below I’ve set out some of the different sides of the argument so that you can make up your own mind.

UKIP is here to stay: Kingmaker in 2015?

Journalist Michael Crick points out that the UKIP vote in the local elections is slightly down on previous years. However, winning council seats means being able to build organisations and networks in local areas to help get out the UKIP vote in 2015. UKIP is putting down roots across the country.

But will voters stay with them? Some argue that the UKIP votes are just a ‘protest’ vote and supporters will ‘return’ to their ‘normal’ parties for the election that matters-the General Election. This data from Lord Ashcroft’s polling shows that many UKIP voters (they estimate 50%) are likely to stay with UKIP in 2015 – other pollsters agree.

Just to make the situation more complicated, it isn’t clear that UKIP will cut down Conservative votes and ‘let in’ Labour. Analysis by the authors of the new book about UKIP voters, Revolt on the Right, indicates that UKIP’s appeal is cross-party and attracts as many unhappy Labour voters as Conservatives – see their results in Rotherham (Ed Miliband’s constituency).

So UKIP may not win seats but may make the 2015 General Election very complicated and unpredictable. The party could cause ‘chaos’ and create ‘an electoral map of nightmarish complexity’ in certain crucial seats. Even before the UKIP surge, 2015 was already going to be very close indeed. This prediction gives a ‘dead heat in 2015’ with the Conservatives on 36.1%, and Labour on 36.5%. On a side note, Ashcroft’s poll for the constituency of South Thanet, where Nigel Farage is rumoured to be standing in the General Election, puts UKIP support very high – see pg 1 column ‘voting intention’ and ‘certain to vote’.

UKIP fades away: A bad dream in 2015?

Not everyone is sure of UKIP’s new power. Smaller parties votes have always fallen back, often sharply, in national elections. More importantly, the First Past the Post system at Westminster makes it very difficult for minor parties to win seats.

The Telegraph’s Benedict Brogan is not convinced that UKIP’s momentum can be maintained. He points out that UKIP will now be under sustained media scrutiny (which didn’t always work successfully for them, especially in the last few weeks) and will have to begin explaining its domestic policies, which may be difficult. One of the most important players will be the media and how it covers UKIP for the next 12 months.

How well UKIP as a party can cope with the stresses and strains of being a ‘fourth’ political party is debateable. Brogan also points out that there have been many ‘new’ political parties ‘enjoying a moment of popularity…Remember the SDP? The Alliance? The Greens? Or even the Lib Dems, who under Nick Clegg have gone from breakthrough in 2010 to breakdown this weekend’.

One thing we can say for certain is that the next year will be interesting. Success is not all about seats and you may see UKIP’s influence in the policies that other parties now start to adopt. Keep an eye on the coming Newark by-election – will UKIP win their first seat?

India fights for a pension: a campaigning success story

This post was written by Dr Penny Vera Sanso, a Senior Lecturer in Development Studies and Social Anthropology in Birkbeck’s Department of Geography, Environment and Development Studies. It was originally published on the Age International blog.

India is home to around 104 million people aged over 60. Despite producing at least 50% of India’s GDP and despite contributing to the 4.5% growth rate – 90% of workers in India are trapped in low paid, insecure and pension-less work.

So, it is good news that, after many years of side-lining, social pensions are again on the political agenda; appearing on the manifestos of several national and regional parties.  This is a giant step forward.

India is a deeply divided and unequal country, but if you want to see another side to India, one promoting collaboration across socio-economic and cultural diversity, and one that is likely to have a positive outcome for older people, you would be hard pressed to find a better example than the campaigns that are pressing for a pension revolution – the Pension Parishad and the Right to Food Campaign.

A side of India that doesn’t hit the headlines

In March this year, the 5th National Convention of the Right to Food and Work Campaign was held. Over 2000 people participated from across the country.

It is a side of India that rarely hits the headlines; a side where differences of caste, class, religion, education, gender, age and able bodied-ness make no difference.

Held outside Ahmedabad in the grounds of the Dalit Empowerment Centre, a training centre for India’s most stigmatised castes, the Right to Food and Work Campaign transformed unpromising scrubland into a colourful covered meeting place for people to come together to discuss their concerns and formulate solutions on which all would campaign. I participated in the Pension Parishad workshop where almost all participants were women. When asked where the men were the women answered, as one, ‘At the food ration workshop’. And this was where I found them  – a perfect demonstration of how people were ensuring that they covered as much common ground as possible by participating in the framing of strategy and taking it all back home to their local organisations.

But this convention was just one of the proud moments of a campaign which began its journey many years earlier.

How did it start?  

First, in 2001 an extraordinary alliance of diverse groups and individuals came together to support each other in a common effort to secure basic human rights – that of the right to life and dignity for everyone in India.

Then at the 2010 Convention of the Right to Food and Work Campaign a unanimous decision was reached to campaign for a universal social pension. This spurred the development of the ‘Pension Parishad’ – a further network of NGOs and individuals focused on securing a universal social pension set at half the minimum wage.     

This led to thousands of older people across the country participating in rallies, but they were not alone.  They were joined by, and themselves supported, campaigns for widow’s pensions, disability pensions and pensions for sex workers and transgender people.

A comprehensive, cradle to grave campaign

The Right to Food Campaign uses all democratic means available to secure widespread support for the right to food and work and, latterly, the right to pensions. The Supreme Court has been moved (in both senses of the word), political parties lobbied and the media engaged.

Alongside this have been specific campaigns – to extend the public distribution system (that provides families with subsidised basic foods) and to enforce schemes supporting breast feeding and free cooked mid-day meals for school children and older people.  This has created a comprehensive, cradle to grave campaign to overcome endemic hunger.

There’s much to be learnt here but what I like best is: first, that despite deep social divisions people will come together to fight for their own and each other’s rights and second, that older people are willing and capable of fighting for their own and others’ rights.

Dr Penny Vera-Sanso has been researching and publishing on age, gender and poverty in India since the early 1990s. Recently she has been exploring visual methods for sharing research with non-academic audiences and of encouraging popular participation in research projects in order to spur public debate.  Her collaboration with The Hindu on the National Photographic Competition on the Working Elderly resulted in a unique permanent on-line gallery of nearly 3000 photographs of older workers from across India.  She has made two documentaries, We’re Still Working and The Forgotten Generation,  released in 2013 and her photo essay, ‘We too Contribute’, has been displayed as pop-up exhibitions across India.  

On FA Cup final day, homophobia is still a problem for English football

This post was written by Dr Andy Harvey – a Researcher at the Birkbeck Sport Business Centre. His PhD thesis was on the history of homophobia in sport. A monograph derived from his thesis, Boys will be boys? An interdisciplinary study of male sexuality and homophobia in football fiction, is due to be published by Fisher Imprints in 2015.

Dr Andy Harvey is a Researcher at the Birkbeck Sports Business Centre

Dr Andy Harvey is a Researcher at the Birkbeck Sports Business Centre

As millions of people across the globe switch on their televisions to watch the FA Cup final on Saturday 17 May, the match happens to coincide with the International Day Against Homophobia and Transphobia (IDAHOT) that is marked on 17 May every year. Celebrating its tenth anniversary this year, IDAHOT is a worldwide campaign that aims to bring attention to the problem of homophobia and transphobia that persists across the world.

No British sport has been associated with homophobic attitudes as much as football. A recent Channel 4 Dispatches programme, Undercover: Hate on the Terraces, broadcast on 3 March 2014, reinforced the idea that English football remains a potent site of discriminatory chanting by significant numbers of fans. The documentary showed how such chanting was often carried out in full view and earshot of stewards and police with little action taken by them or the football authorities. The programme confirmed a 2013 study by the Gay Football Supporters Network (GFSN) that showed how Brighton fans were the target of regular and persistent homophobic abuse from opposition supporters. The perpetrators of abuse have not been confined to fans: in April 2014 former Blackburn Rovers player, Colin Kazim-Richards, was found guilty of making an “utterly disgusting” homophobic gesture at Brighton and Hove Albion fans.

From the playing side of the professional game, it is now commonplace to mention that no professional footballer has ‘come out’ as gay while still playing in the English game. The fate of Justin Fashanu, who committed suicide after declaring his homosexuality in 1990 to a barrage of homophobia from the media, has acted as a warning to other gay professionals not to follow in his footsteps. In February 2013 the former Leeds United player, Robbie Rogers, ‘came out’ as gay in the same breath as announcing his retirement from professional football because he could not conceive of continuing to play due to the homophobic atmosphere of the dressing room and terraces. Earlier this year former German international and Premier League star, Thomas Hitzlsperger, announced he was gay after he had retired from the game, although the positive public reception he received stands in stark contrast to Fashanu’s experience.

A famous victim of football’s inability to accept sexual diversity was Chelsea and England defender, Graeme Le Saux, who, although known to be heterosexual, became the target of homophobic abuse during his playing career in the 1990s. Le Saux’s case graphically illustrates one of the little-mentioned aspects of homophobic behaviours: the vast bulk of homophobic abuse is aimed at straight men. No-one actually believes that Brighton fans are gay (although, as with any other club, some of them may be), or that a player who falls down rather easily is ‘a poof’. Opposing fans sing ‘does your boyfriend know you’re here?’ in order to call into question the gender credentials of the opposition supporters as a means of reinforcing their own ideas of a masculine heterosexuality. In other words, homophobic ‘banter’, whether perpetrated on the terraces or in the dressing room, acts as a mechanism for policing straight men’s sexuality.

In contrast to racist abuse where no-one would think of calling a white person by the ‘n’ word, homophobia relies on the assumption that being thought of as gay is a culturally demeaned identity that needs to be constantly repudiated at all times. The argument that homophobia is ‘like’ racism may be useful tactically to promote the importance of tackling homophobia. However, it is not the case that homophobia is ‘like’ racism since it works in very different ways.

The fact that straight men experience the negative consequences of homophobia should not in any way be taken to mean that gay men do not suffer from homophobia. The tragic consequence of the cultural regime that devalues gay lives is that homophobia is not confined to the football arena but is present in every city, town and community in the country. Homophobic attacks are a more violent means by which some men (it is usually, although not invariably, men who are the perpetrators) shore up their own narrow notions of their heterosexuality, or even attempt to deny their homosexuality. From personal testimony, I have had two acquaintances murdered in violent homophobic attacks and many LGB&T people still lead lives that are saturated in fear and anxiety due to their experience of persistent homophobia. This is what sets homophobic abuse apart from the other ‘banter’ of football: homophobia has disastrous impacts well beyond the football terraces.

Understanding that homophobia is steeped in the culturally demeaned status of sexual minorities is crucial if effective strategies to tackle it are to be developed. To do so successfully will mean challenging the notion that football is a ‘man’s game’ with all the gendered and cultural freight that is loaded on to that term. The work that the FA has commenced in opening up participation in the game will be crucial in this endeavour. Despite worrying levels of discrimination that still persist in Britain, there is evidence that, in some places, homophobic attitudes may be receding: after all we now live in a country where there are openly gay Conservative members of the government. Football has the potential to make a significant contribution to the shift against homophobia. The task is to work on the cultural regime of football in order to end forever the idea some forms of masculinity are superior to others or that football can only be played by a certain type of ‘man’.

A longer, and fully referenced, version of this article can be found on the Birkbeck Sports Business Centre web site.

British universities need Black Studies

This post was written by Dr William Ackhar, a lecturer in community and voluntary sector studies in Birkbeck’s Department of Geography, Environment and Development Studies. It was originally published on the Guardian’s Comment is Free site.

In San Francisco in 1968 a group of primarily black students went on strike to demand that their college establish an academic programme that reflected their lives and experiences. Their demand was met, and San Francisco State College became the first in the US to have a department and degree programme in Black Studies.

Nearly half a century later, Black Studies, Africana Studies or African-American Studies, as they are now variously named in different institutions, are a coast-to- coast academic discipline. Their academic departments in Ivy League institutions such as Harvard, Yale and Columbia are home to internationally renowned scholars.

Built on the two foundational pillars of academic excellence and social responsibility, Black Studies in the United States has led to the emergence of more black professors, heads of department and university administrators. From small beginnings, it has emerged as a genuine success story of the 1960s Civil Rights struggle.

As someone who draws heavily on the work of African-American scholars to inform my own teaching and research, I can only look with envy at what has been achieved in the US and wonder why, after all this time, there are still no equivalent Black Studies degree programmes and academic departments here in the UK.

In the past, universities did not feel there was a demand, need or interest in the subject but this is no longer the case. Britain’s black population is approaching 3 million and its increasing significance nationally and internationally in politics, religion, economics, science and the arts more than justifies the need for an academic discipline dedicated to researching and teaching the black experience, to UK society and the wider world.

On 15 May, a group of black scholars will meet to set up a British Black Studies Association, which will call for Black Studies degree programmes to be established. There has been a growing sense of frustration and anger among black British academics over how our communities have been treated by the British university system.

Black students are being encouraged to enter higher education in ever increasing numbers, yet there are no courses or departments where we can learn about ourselves, there is very little likelihood of being taught by a black professor, and according to the latest data there is no chance of seeing a black person leading and shaping the strategic direction of the university.

No wonder many black students, according to the National Union of Students, have a demoralising experience in higher education and on average are leaving university with poorer results than white counterparts who entered with equal A-level grades.

Black Studies – a social science covering subjects such as history, politics, religion, the arts, economics, geography and psychology – is needed to counter the damaging and corrosive idea that black culture is somehow anti-intellectual and that black people are not capable of contributing meaningfully to the intellectual life of this country. For example, it could include study of the Notting Hill carnival, building insight into its historical significance and connections to the Caribbean, South America and Africa, the complex religious symbolism that underpins it, its economic, geographical and cultural impact, and its role in establishing London as a global city.

Gender Studies has played an important role in shifting cultural attitudes and public policy towards women. The study of the black experience could be transformative for schools, police forces, mental health services and other arenas of public life that still have issues with black people. In education, a Black Studies perspective could be instrumental in tackling the underachievement of African-Caribbean boys.

By seeing their intellectuals, scientists, artists, technicians, being discussed, analysed and eulogised in schools and universities, the relationship between the black community and the authorities would change from that of “problem” to one of being productive contributors to society, resulting in engagement and achievement rather than continuing disengagement and underachievement.

This enhanced status of black life in Britain would ultimately result in more black teachers, intellectuals, and professionals being seen and heard in public life. And that is something many communities and public institutions in Britain need as a matter of urgency.

Our favourite diarists

Ahead of the Arts Week event ‘Stranger than Fiction‘ about London Diarists on Wednesday 21 May, Birkbeck academics share who their favourite diarists are, and why. Please use the comments section to tell us about your favourite diarists.

Book M
Sue Wiseman
, Professor of Seventeenth-Century Literature

Austin Street signMy favourite London diarist is Katherine Austen. Next time you go to Shoreditch consider stopping for a moment at Austin Street, next to St.Leonard’s church. You will be where much of Austen’s diary-notebook, ‘Book M’, was written in the second half of the seventeenth century.

Some of London’s most celebrated diarists, such as Samuel Pepys and John Evelyn, were writing during the Restoration, when Austen was writing hers. Like Pepys, Austen was a successful and enterprising Londoner, but her voice and concerns add a new dimension to our understanding of Restoration scribbling. Austen had a substantial house in Shoreditch, an area that mixed poor houses, orchard and newly enclosed land. She notes her accounts in ‘Book M’ and is clearly prosperous, but she is pious and almost superstitious too. However, she also had strong views, railing against the ‘abominable rudeness’ of ‘Mr. C’ (he owed her money) and complaining that sending her son to university simply meant that he learned ‘ill-breeding and unaccomplishments’ at his Oxford College. As a young, rich, widow she worried about whether or not to marry again. ‘The world may think I tread upon Roses’, she wrote, but ‘they know not’.

I came across Austen’s ‘Book M’ in the manuscripts room at the British Library. Intrigued by the ‘M’ I ordered it up. My attention was immediately caught by a prose passage concerning ‘a Fall off a Tree where I was sitting in contentment’. The description of the fall was followed by a poem in which she claims that spirits, ‘the crew of Beelzebub’, were responsible for the accident. (You can read the passage and poem here.) Why had Katherine Austen gone from Shoreditch to Essex? Did most seventeenth-century women climb trees for fun? What made her think that the tree was inhabited by ‘revolted spirits’? Was it? I wanted to know and read on slowly, stumbling over her handwriting.

Tillingham_small

Churchyard at Tillingham

By the end of the day I knew that she had fled to Essex to avoid the plague. She comments that plague ‘is not yet’ in ‘my house’, but it is a race against time. She notes ‘Aug 28th 1665: on going to Essex … the day before I went there . . .was dead that week 7400.’ Soon after this the scene of the diary shifts to the village of Tillingham, Essex. She does not record what she thought and saw as she left the safety of her house to travel East through the poor, plague-racked eastern suburbs to ford the Lea and escape. But it may be that the plague travelled silently with her. For a mysterious physician and suitor that she took with her on her journey died while she was there and is buried in Tillingham churchyard (see here for a walk in Tillingham). Austen survived to return to London and pursue her many plans.

I left the Manuscripts Room that day excited but sad. How could this fascinating writer ever get the readers she deserved? Luckily it turned out that several other people had been at work and now there are two editions of ‘Book M’, one for easier reading and the other for scholarly detail.  Maybe someone will find books ‘A’ to ‘L’. I hope so.

Diary at the Centre of the Earth
Dennis Duncan, Lecturer in Modern Literature and Culture

My favourite London diarist is still writing today. In fact they’re a current undergraduate at Birkbeck. Actually, it’s one of my personal supervisees. This feels like an awkward confession. I have never discussed with him the fact that I read his diary. It always seems like an inappropriate digression in the context of the supervision session, like a psychoanalyst asking a novelist patient to sign their book. But let it be known henceforth that I have long been an admirer of Dickon Edwards’s online Diary at the Centre of the Earth.

Edwards describes his diary as ‘sporadic and slightly celebrated’, although there is characteristic modesty in both these descriptions. The Diary at the Centre of the Earth has been maintained since 1997, making it one of the longest-running internet diaries around, and it’s more than a little celebrated (indeed it contributes a fair few entries to Elborough’s London Year). Edwards’s delicate prose elegantly captures the life of a twenty-first-century flâneur, partaking of, and sometimes contributing to, the cultural life of the capital. It has its dandyish moments – Edwards is quite at home with the Soho in-crowd, and his writing has the precision of the Wildean bon mot. Yet for the most part this precision is gentle rather than ostentatious. Diary at the Centre of the Earth describes an attempt to experience London, in its brash, brand-conscious, contemporary configuration, through the aesthetic sensibilities of an earlier age. Its sentences are shot through with a wistfulness at the difficulty of maintaining the illusion.

There is, of course, another more specific pleasure in reading this diary, which comes about when Edwards describes his studies at Birkbeck – a subject he addresses frequently. Here, for me, is the thrill of an intimate association with the narrative – places I inhabit every day, courses I’ve taught, texts I know inside out – caught in the diarist’s lens, assigned a place alongside other, more decadent staples of Edwards’s unfolding life story.

The cat is out of the bag now. Perhaps next time we meet for supervision we’ll make small talk about the parties and private views Edwards has attended most recently. But I think I’d prefer it if we don’t; I’d prefer simply to admire the diary from a distance, to glimpse Edwards’s life – at least his life beyond the purview of a personal supervisor – only through the careful charm of his prose.

The Brixton Diaries
Joe Brooker, Reader in Modern Literature 

The Colour of MemoryGeoff Dyer’s first novel, The Colour of Memory (1989), began life as ‘The Brixton Diaries’. In 1986 Dyer was commissioned by the New Statesman to write about life as he and his friends were experiencing it in South London. In a note to the revised edition of his novel (2012), Dyer recalls that it was hoped that the diary would have ‘an interest that was more than local and personal’. But what had been a factual writing commission subtly became a fictional writing project: ‘Gradually I saw a way of using and shaping the material in a slightly different way, in a form that would deploy it to better, more personal ends (I invented a sister for myself, or for my narrator, rather) and, hopefully, more lasting effect’.

The Brixton Diaries had recorded facts from his real life, whereas the novel takes liberties: introducing invented characters, but also clouding the Dyeresque narrator himself in fiction and leaving him nameless and unidentifiable with the author. In a late twist, it appears that the entire narrative is to be taken as written by a character who has appeared in the third person throughout it. The move renders the novel a teasing paradox, a metafictional circle in the key of Calvino or Borges. But we note that Dyer, in retrospect, presents the shift from diary to novel as a move to a more personal mode of writing. It seems that the Brixton Diaries sought public resonance, as reportage from a riot-scarred area of London during Margaret Thatcher’s third term of office; whereas their metamorphosis into fiction somehow allowed Dyer to write a more truly subjective account of the times.

In any case, The Colour of Memory’s roots in diary are unmistakable. The novel recounts the events of a year in Brixton, around 1986-7, essentially in chronological order. It is divided into sixty chapters which count down from 060 to 000. This device lends the book an obscure suspense, but as Dyer admits, suspenseful narrative was not his forte nor his aim: ‘The book did not start out as a novel (and, for anyone expecting a plot, never adequately became one)’. Each small vignette – involving the theft of the narrator’s car, a party, or a trip to Brixton market – could just about claim to include narrative, and certain tendencies grow through the book, notably the fear of crime which culminates in a mugging. But by most standards, The Colour of Memory is distinguished by the absence of narrative, or at any rate of any plot that soars beyond the plausible. The novel’s fascination is with the texture of life, unmomentous yet constant.

This fascination sometimes takes the idiom of photography: the book declares itself to be ‘like an album of snaps’, in which ‘what happens accidentally, unintentionally, at the edges or in the margins of pictures – the apparently irrelevant detail – lends the photograph its special meaning’. Dyer’s book was thus a rarity: an English novel that not merely relayed but formally embodied the advanced continental ideas of the time, in this case those of Roland Barthes’ late work on photography Camera Lucida (1980). In its hospitality to contingency, it also stands as an ambiguous text, between the genres of personal journal and narrative fiction. The Colour of Memory invites us to think about the common ground occupied by the novel and the diary: that less public and celebrated genre that has so often nourished fiction.

(Birkbeck’s Centre for Contemporary Literature will hold a day conference on the work of Geoff Dyer on 11 July 2014.)

Who can control the post-superpower capitalist world order?

This post was written by Slavoj Žižek, Director of the Birkbeck Institute for the Humanities. It was originally published on the Guardian’s Comment is Free site.

To know a society is not only to know its explicit rules. One must also know how to apply them: when to use them, when to violate them, when to turn down a choice that is offered, and when we are effectively obliged to do something but have to pretend we are doing it as a free choice. Consider the paradox, for instance, of offers-meant-to-be-refused. When I am invited to a restaurant by a rich uncle, we both know he will cover the bill, but I nonetheless have to lightly insist we share it – imagine my surprise if my uncle were simply to say: “OK, then, you pay it!”

There was a similar problem during the chaotic post-Soviet years of Yeltsin’s rule in Russia. Although the legal rules were known, and were largely the same as under the Soviet Union, the complex network of implicit, unwritten rules, which sustained the entire social edifice, disintegrated. In the Soviet Union, if you wanted better hospital treatment, say, or a new apartment, if you had a complaint against the authorities, were summoned to court or wanted your child to be accepted at a top school, you knew the implicit rules. You understood whom to address or bribe, and what you could or couldn’t do. After the collapse of Soviet power, one of the most frustrating aspects of daily life for ordinary people was that these unwritten rules became seriously blurred. People simply did not know how to react, how to relate to explicit legal regulations, what could be ignored, and where bribery worked. (One of the functions of organised crime was to provide a kind of ersatz legality. If you owned a small business and a customer owed you money, you turned to your mafia protector, who dealt with the problem, since the state legal system was inefficient.) The stabilisation of society under the Putin reign is largely because of the newly established transparency of these unwritten rules. Now, once again, people mostly understand the complex cobweb of social interactions.

In international politics, we have not yet reached this stage. Back in the 1990s, a silent pact regulated the relationship between the great western powers and Russia. Western states treated Russia as a great power on the condition that Russia didn’t act as one. But what if the person to whom the offer-to-be-rejected is made actually accepts it? What if Russia starts to act as a great power? A situation like this is properly catastrophic, threatening the entire existing fabric of relations – as happened five years ago in Georgia. Tired of only being treated as a superpower, Russia actually acted as one.

How did it come to this? The “American century” is over, and we have entered a period in which multiple centres of global capitalism have been forming. In the US, Europe, China and maybe Latin America, too, capitalist systems have developed with specific twists: the US stands for neoliberal capitalism, Europe for what remains of the welfare state, China for authoritarian capitalism, Latin America for populist capitalism. After the attempt by the US to impose itself as the sole superpower – the universal policeman – failed, there is now the need to establish the rules of interaction between these local centres as regards their conflicting interests.

This is why our times are potentially more dangerous than they may appear. During the cold war, the rules of international behaviour were clear, guaranteed by the Mad-ness – mutually assured destruction – of the superpowers. When the Soviet Union violated these unwritten rules by invading Afghanistan, it paid dearly for this infringement. The war in Afghanistan was the beginning of its end. Today, the old and new superpowers are testing each other, trying to impose their own version of global rules, experimenting with them through proxies – which are, of course, other, small nations and states.

Karl Popper once praised the scientific testing of hypotheses, saying that, in this way, we allow our hypotheses to die instead of us. In today’s testing, small nations get hurt and wounded instead of the big ones – first Georgia, now Ukraine. Although the official arguments are highly moral, revolving around human rights and freedoms, the nature of the game is clear. The events in Ukraine seem something like the crisis in Georgia, part two – the next stage of a geopolitical struggle for control in a nonregulated, multicentred world.

It is definitely time to teach the superpowers, old and new, some manners, but who will do it? Obviously, only a transnational entity can manage it – more than 200 years ago, Immanuel Kant saw the need for a transnational legal order grounded in the rise of the global society. In his project for perpetual peace, he wrote: “Since the narrower or wider community of the peoples of the earth has developed so far that a violation of rights in one place is felt throughout the world, the idea of a law of world citizenship is no high-flown or exaggerated notion.”

This, however, brings us to what is arguably the “principal contradiction” of the new world order (if we may use this old Maoist term): the impossibility of creating a global political order that would correspond to the global capitalist economy.

What if, for structural reasons, and not only due to empirical limitations, there cannot be a worldwide democracy or a representative world government? What if the global market economy cannot be directly organised as a global liberal democracy with worldwide elections?

Today, in our era of globalisation, we are paying the price for this “principal contradiction.” In politics, age-old fixations, and particular, substantial ethnic, religious and cultural identities, have returned with a vengeance. Our predicament today is defined by this tension: the global free circulation of commodities is accompanied by growing separations in the social sphere. Since the fall of the Berlin Wall and the rise of the global market, new walls have begun emerging everywhere, separating peoples and their cultures. Perhaps the very survival of humanity depends on resolving this tension.